Tale in which a truck driver with a lucrative sideline in arm-wrestling takes his estranged 12-year-old son on the road after the boy’s mother falls seriously ill. The trucker is beginning to reach out to the boy as the pair head for Vegas and the arm wrestling world championships, but the lad’s wealthy, unfeeling grandfather sends his thugs to put a stop to the bonding and bring the boy back.
Divorced dad Scott (Tim Allen) has custody of his son (Eric Lloyd) on Christmas Eve. After he accidentally kills a man in a Santa suit, they are magically transported to the North Pole, where an elf explains that Scott must take Santa’s place before the next Christmas arrives. Scott thinks he’s dreaming, but over the next several months he gains weight and grows an inexplicably white beard. Maybe that night at the North Pole wasn’t a dream after all — and maybe Scott has a lot of work to do.
On one random day in the San Fernando Valley, a dying father, a young wife, a male caretaker, a famous lost son, a police officer in love, a boy genius, an ex-boy genius, a game show host and an estranged daughter will each become part of a dazzling multiplicity of plots, but one story.
After getting a green card in exchange for assassinating a Cuban government official, Tony Montana (Al Pacino) stakes a claim on the drug trade in Miami. Viciously murdering anyone who stands in his way, Tony eventually becomes the biggest drug lord in the state, controlling nearly all the cocaine that comes through Miami. But increased pressure from the police, wars with Colombian drug cartels and his own drug-fueled paranoia serve to fuel the flames of his eventual downfall.
Harris K. Telemacher (Steve Martin) has the easiest job in the world: he’s a TV weatherman in Los Angeles, where the weather is so predictable he tapes his forecasts days in advance. Bored with his job, his life and his relationship with longtime girlfriend Trudi (Marilu Henner), Harris begins to receive secret messages from an electronic freeway sign near his home, which lead him to pursue romance with a British journalist (Victoria Tennant) and a vapid young model (Sarah Jessica Parker).
Oddball cable installer Chip Douglas (Jim Carrey) attempts to strike up a friendship with customer Steven Kovacs (Matthew Broderick) by offering him premium channels at no cost. When Steven rebuffs Chip’s frequent need for companionship, Chip goes from a mildly eccentric acquaintance to a full-fledged psycho stalker. Though it’s increasingly apparent to Steven that the cable guy is dangerous, convincing his friends, family and the authorities of that is another matter entirely.
Daniel (Ralph Macchio) moves to Southern California with his mother, Lucille (Randee Heller), but quickly finds himself the target of a group of bullies who study karate at the Cobra Kai dojo. Fortunately, Daniel befriends Mr. Miyagi (Noriyuki “Pat” Morita), an unassuming repairman who just happens to be a martial arts master himself. Miyagi takes Daniel under his wing, training him in a more compassionate form of karate and preparing him to compete against the brutal Cobra Kai.
On the way to a tryout with the Chicago Cubs, young baseball phenom Roy Hobbs (Robert Redford) is shot by the unstable Harriet Bird (Barbara Hershey). After 16 years, Hobbs returns to pro baseball as a rookie for the last-place New York Knights. Despite early arguments with his manager, Pop Fisher (Wilford Brimley), Hobbs becomes one of the best players in the league, and the Knights start winning. But this upsets the Judge (Robert Prosky), their owner, who wants Hobbs to lose games, not win.
A scientist (Vincent Price) builds an animated human being — the gentle Edward (Johnny Depp). The scientist dies before he can finish assembling Edward, though, leaving the young man with a freakish appearance accentuated by the scissor blades he has instead of hands. Loving suburban saleswoman Peg (Dianne Wiest) discovers Edward and takes him home, where he falls for Peg’s teen daughter (Winona Ryder). However, despite his kindness and artistic talent, Edward’s hands make him an outcast.
A cynical TV weatherman (Bill Murray) finds himself reliving the same day over and over again when he goes on location to the small town of Punxsutawney to film a report about their annual Groundhog Day. His predicament drives him to distraction, until he sees a way of turning the situation to his advantage.