After being fired from his job, Los Angeles slacker and punk rocker Otto (Emilio Estevez) lands a gig working for an eccentric repossession agent named Bud (Harry Dean Stanton). At first, Otto is reluctant to work as a repo man, but he grows to love the fast-paced job. After learning of a Chevy Malibu that has been given a $20,000 price tag, Otto embarks on a quest to find the car with the beautiful Leila (Olivia Barash), who claims the trunk’s contents are otherworldly.
Tagged: Science Fiction
In the 1990s, the sci-fi genre reached new heights. With the advent of CG-character technology that was revolutionized in Terminator 2: Judgment Day and Jurassic Park, the tools available for filmmaking increased exponentially. The impossible was now possible, and ideas that were once non-viable in the feature film format were now able to be realized. Of course technology is only a tool—it can get you so far, but it’s story and character that determine whether a film will stand the test of time. But master filmmakers like James Cameron, Steven Spielberg, Luc Besson, and The Wachowskis seized upon these new opportunities and crafted sci-fi films that would endure for decades.
Old and decrepit Krank (Daniel Emilfork) has lost his capacity for dreaming and is attempting to fight death by stealing the dreams of children. Krank’s cadre of cloned henchmen (Dominique Pinon) snatch 5-year-old Denree (Joseph Lucien) to subject him to the horrific dream-retrieval process. The boy’s father, One (Ron Perlman), the hulking strongman of a traveling circus, and his precocious 9-year-old friend, Miette (Judith Vittet), join forces to defeat Krank’s minions and save Denree.
Former policeman Lenny Nero (Ralph Fiennes) has moved into a more lucrative trade: the illegal sale of virtual reality-like recordings that allow users to experience the emotions and past experiences of others. While the bootlegs typically contain tawdry incidents, Nero is shocked when he receives one showing a murder. He enlists a friend, bodyguard Mace (Angela Bassett), to help find the killer and the two soon stumble upon a vast conspiracy involving the police force Nero once worked for.
When we recorded this episode, the Coronavirus pandemic had just begun. Four weeks later, listener Jeremy’s commission gives us the timely 1981 post-apocalyptic Mad Max: Road Warrior. In this episode, Gene points out the worst choice of vehicle in a gas shortage and we discover the science of boomerangs and their connection to a lonely childhood and answer the question of who from the pod would be whom if cast in this movie. And, to wrap it all up, we get in a goodbye to every listener just in case the virus overtakes us all before we hit publish.
Motorcycle racer Lyle Swann (Fred Ward) is cruising through the Mexican desert when he accidentally stumbles into a time-travel experiment and finds himself transported back to the Old West of the 1870s. There he encounters an attractive local woman (Belinda Bauer) and a gang of criminals led by Porter Reese (Peter Coyote). Lyle’s motorized bike is impressive in the past — until it runs out of gas. Now Lyle must rely on his wits to take care of business and return to his own time.
As Adm. James T. Kirk (William Shatner) and Capt. Spock (Leonard Nimoy) monitor trainees at Starfleet Academy, another vessel from the United Federation of Planets is about to try out the planet-creating Genesis Device in a seemingly deserted portion of space. In the process, two of Kirk’s officers are captured by Khan (Ricardo Montalban), an enemy Kirk thought he’d never see again. Once more, Kirk takes the Enterprise’s helm, where he meets Khan’s ship in an intergalactic showdown.
E.T. The Extra-Terrestrial, from Academy Award-winning director Steven Spielberg. Captivating audiences of all ages, this timeless story follows the unforgettable journey of a lost alien and the 10-year-old boy he befriends. Join Elliot (Henry Thomas), Gertie (Drew Barrymore) and Michael (Robert MacNaughton) as they come together to help E.T. find his way back home.
The stars of a 1970s sci-fi show – now scraping a living through re-runs and sci-fi conventions – are beamed aboard an alien spacecraft. Believing the cast’s heroic on-screen dramas are historical documents of real-life adventures, the band of aliens turn to the ailing celebrities for help in their quest to overcome the oppressive regime in their solar system.
Bill (Alex Winter) and Ted (Keanu Reeves) are high school buddies starting a band. However, they are about to fail their history class, which means Ted would be sent to military school. They receive help from Rufus (George Carlin), a traveler from a future where their band is the foundation for a perfect society. With the use of Rufus’ time machine, Bill and Ted travel to various points in history, returning with important figures to help them complete their final history presentation.
In 1997, a major war between the United States and the Soviet Union is concluding, and the entire island of Manhattan has been converted into a giant maximum-security prison. When Air Force One is hijacked and crashes into the island, the president (Donald Pleasence) is taken hostage by a group of inmates. Snake Plissken (Kurt Russell), a former Special Forces soldier turned criminal, is recruited to retrieve the president in exchange for his own freedom.