Tagged: Science Fiction

In the 1990s, the sci-fi genre reached new heights. With the advent of CG-character technology that was revolutionized in Terminator 2: Judgment Day and Jurassic Park, the tools available for filmmaking increased exponentially. The impossible was now possible, and ideas that were once non-viable in the feature film format were now able to be realized. Of course technology is only a tool—it can get you so far, but it’s story and character that determine whether a film will stand the test of time. But master filmmakers like James Cameron, Steven Spielberg, Luc Besson, and The Wachowskis seized upon these new opportunities and crafted sci-fi films that would endure for decades.

My Science Project (1985)

Michael (John Stockwell) and his girlfriend Ellie (Danielle von Zerneck) break into a military junkyard to find a science project for Michael’s class. They instead discover a strange glowing orb that absorbs electricity. When the orb begins to blend past, present, and future, it’s up to Michael and Ellie to stop the orb and save mankind.

The Final Countdown (1980)

A Pacific aircraft carrier enters a time warp and finds itself transported from 1980 to 1941 – just before the attack on Pearl Harbor. The captain is forced to decide whether to strike at the approaching Japanese fleet and change the entire course of World War II.

Species (1995)

When government scientist Xavier Fitch (Ben Kingsley) intercepts a space transmission containing the genetic sequence for an alien life form, he uses it to produce “Sil” (Natasha Henstridge) — a gorgeous alien-human hybrid. As Fitch’s team grows concerned at her rapid rate of growth, Sil wrecks the laboratory and begins a violent quest for a suitable male human to impregnate her. The U.S. government dispatches top assassin Preston Lennox (Michael Madsen) and a team of experts to stop her.

The Transformers: The Movie (1986)

The film’s story takes place in 2005, 20 years after the events of the TV series’ second season. After the death of Optimus Prime during a devastating assault on Autobot City, the Autobots are pursued by Galvatron, the regenerated form of Megatron and servant of Unicron, a planet-devouring Transformer who sets out to consume Cybertron. The soundtrack comprises synthesizer music by Vince DiCola and heavy metal by various groups.

Maximum Overdrive (1986)

After a comet causes a radiation storm on Earth, machines come to life and turn against their makers. Holed up in a North Carolina truck stop, a group of survivors must fend for themselves against a mass of homicidal trucks. A diner cook, Bill Robinson (Emilio Estevez), emerges as the unlikely leader of the pack, attempting to find an escape plan for himself and the survivors, who include his boss, Bubba Hendershot (Pat Hingle), and a newlywed couple.

Star Wars Episode I: The Phantom Menace (1999)

Obi-Wan Kenobi (Ewan McGregor) is a young apprentice Jedi knight under the tutelage of Qui-Gon Jinn (Liam Neeson); Anakin Skywalker (Jake Lloyd), who will later father Luke Skywalker and become known as Darth Vader, is just a 9-year-old boy. When the Trade Federation cuts off all routes to the planet Naboo, Qui-Gon and Obi-Wan are assigned to settle the matter.

Mac and Me (1988)

“Mac and Me” A Mysterious Alien Creature (MAC) escaping from nefarious NASA agents, is befriended by a young boy in a wheelchair. Together, they try to find MAC’s family from whom he has been separated.

Repo Man (1984)

After being fired from his job, Los Angeles slacker and punk rocker Otto (Emilio Estevez) lands a gig working for an eccentric repossession agent named Bud (Harry Dean Stanton). At first, Otto is reluctant to work as a repo man, but he grows to love the fast-paced job. After learning of a Chevy Malibu that has been given a $20,000 price tag, Otto embarks on a quest to find the car with the beautiful Leila (Olivia Barash), who claims the trunk’s contents are otherworldly.

The-City-of-Lost-Children-Movie-Poster-1995

The City of Lost Children (1995)

Old and decrepit Krank (Daniel Emilfork) has lost his capacity for dreaming and is attempting to fight death by stealing the dreams of children. Krank’s cadre of cloned henchmen (Dominique Pinon) snatch 5-year-old Denree (Joseph Lucien) to subject him to the horrific dream-retrieval process. The boy’s father, One (Ron Perlman), the hulking strongman of a traveling circus, and his precocious 9-year-old friend, Miette (Judith Vittet), join forces to defeat Krank’s minions and save Denree.

Former policeman Lenny Nero (Ralph Fiennes) has moved into a more lucrative trade: the illegal sale of virtual reality-like recordings that allow users to experience the emotions and past experiences of others. While the bootlegs typically contain tawdry incidents, Nero is shocked when he receives one showing a murder. He enlists a friend, bodyguard Mace (Angela Bassett), to help find the killer and the two soon stumble upon a vast conspiracy involving the police force Nero once worked for.

Strange Days (1995)

Former policeman Lenny Nero (Ralph Fiennes) has moved into a more lucrative trade: the illegal sale of virtual reality-like recordings that allow users to experience the emotions and past experiences of others. While the bootlegs typically contain tawdry incidents, Nero is shocked when he receives one showing a murder. He enlists a friend, bodyguard Mace (Angela Bassett), to help find the killer and the two soon stumble upon a vast conspiracy involving the police force Nero once worked for.